Berlin/ Düsseldorf, 1929. In original paper. Original program for the legendary 1929 silent film. Directed by Pabst, George Wilhelm. More

Spain: 1932. The Mummy is a 1932 American pre-Code supernatural horror film directed by Karl Freund. The screenplay by John L. Balderston was adapted from a treatment written by Nina Wilcox Putnam and Richard Schayer. Released by Universal Studios as a part of the Universal Classic Monsters franchise, the film..... More

Zagreb: 1922. 11 p. Extremely rare issue of the Yugoslavian film magazine published by Poljanski the founder of DADA-JOK in the same year. With the collection stamp of the avantgarde group Devetsil from Prague. More

Budapest: Projectograph, 1913. In original paper. 8 p. illustrated with 7 full page filmstill. Hungarian filmprogram for the italian silent movie. More

[Helsinki]: Otava, 1927. First edition. In publisher’s illustrated wrappers. 86 [2] p. Finnish cultural periodical including a 10-page article mentioning Metropolis, published the same year as Lang’s expressionist science-fiction drama was released. The article by Olavi Paavolainen includes a reproduction of the poster of Metropolis and a still from..... More

Poland: March 1949 to December 1950. In original papers. Each number approx. 50 pages, "In order to provide High School of Film students with a review of the most accurate works of foreign film press and book publishers, the Film Institute Publishing House began to edit the" Review "for the..... More

Spain: 1933. The Son of Kong (also known and publicized simply as Son of Kong) is a 1933 American Pre-Code adventure monster film produced by RKO Pictures. Directed by Ernest Schoedsack and featuring special effects by Willis O'Brien and Buzz Gibson, the film stars Robert Armstrong, Helen Mack and Frank..... More

(Ca. 1920.). Original, vintage black and white photography. 215 × 155 mm. Vintage still from the legendary German Expressionist horror movie, “The Cabinet of Dr. Caligari”. The image shows the scene when the scary looking, black clothed Cesare (Conrad Veidt) is kidnapping Jane (Lil Dagover) who is sleeping in..... More

Moscow: Kinopechat, 1926. With six photographic illustrations. First edition. In publisher's illustrated wrappers. 14, (2) p. Early Soviet-Russian, illustrated biographical pamphlet on Konrad Veidt in constructivist cover. In the 1920s Kinopechat, the Soviet state publishing house for cinema, published a series of booklets focusing on the popular foreign film..... More

[Warszawa]: Czytelnik Spóldzielnia Wydawnicza, 1948. First edition. In publisher’s printed wrappers. 334, (2) p. First edition of Andrzejewski’s most famous novel, Ashes and Diamonds. Popiól i diament describes the political and moral conflicts between the Polish patriots of the Home Army and the evolving communist regime during the last..... More

Budapest: Benkő Gyula (Rovó Aladár), 1918. First edition. With printed dedication to Georg (György) Lukács. In original paper. 47, (1) p. Balázs’ theoretical book on theatre, an antecedent to his books about film. This treatise was originally written to be lectured on a series of public talk that was..... More

Budapest: Balazs Bela Studio, 1977. Mimeograph (front wrapper printed with offset duplication). Rectos only. 54 p. Vintage post-production promotional script for the 1977 Hungarian film — the directorial debut of Béla Tarr, later acclaimed for Sátántangó, the film adaptation of László Krasznahorkai’s novel. More

Faro: 1976. In original paper binging. 150 p. Original script. Provenance: Ingmar and Ingrid Bergman. (Ilsholmen estate in the Roslagen archipelago north of Stockholm, Sweden. Ingrid spent many summers on the large country estate in Roslagen that her father Selim Karlebo acquired in the 1930s. It also became one of..... More