Around 1904–1905. 11 original, vintage sepia photographs. Sizes: (6) 180 × 130 mm; (4) 140 × 90 mm; (1) 165 × 115 mm. Collection of 11 photographs taken during the building of Zakarpattia Oblast Railway Network between Nagyberezna and Uzsok (today: Великий Березний [Velikij Bereznij] – Ужок [Uzhok]). This 40..... More

Upsaliae [Uppsala]: Excudebant Regiae Academiae Typographi, [1825]. First edition. Text in Latin and Swedish. With an engraved, folding map of Delaware Bay and the colony of New Sweden. The gatherings bound together by sewing, otherwise unbound. (4), 34 p., and an engraved, folding map. First edition of Carl David Arfwedson’s..... More

Budapest: Globus Rt. (1930). Graphic handbill. Designed by Sándor Bortnyik. Printed in green. 70 × 120 mm. Printed text on verso: “Those who consume not Hungarian goods are the cause of unemployment.” Sándor Bortnyik (1893–1976) was a Hungarian painter and graphic designer. He was influenced by Cubism, Expressionism, Constructivism..... More

Budapest: Stádium, [n.d. after 1941.]. Illustrated throughout. First edition. In publisher’s illustrated wrappers, printed in red and black. 102, (2) p. Collection of Churchill’s anti-Soviet statements and anti-Soviet cartoons. Anti-Soviet and anti-British propaganda brochure, published after Germany invaded the Soviet Union on June 22, 1941. An attempts to reveal..... More

[Cluj-Napoca, Kolozsvár]: [S.n.], 1933. Linocut. With Anastase Demian’s image. Original, vintage graphical poster. 31.5 × 47 cm. Exhibition poster of the collective show of Romanian-Transylvanian Artists in Cluj-Napoca, in 1933. Catul Bogdan, Aurel Ciupe, Emil Cornea, Anastase Demian, Romul Ladeá, Eugen Servatius (Jeno Szervátisz), Sándor Szolnay and Walther..... More

Budapest: Hungária, (1943). First edition. In original wrappers, with woodcut title vignette on front cover, printed in red and black. 67, (9) p. László Reiter (1894–1945) was a Hungarian graphic artist, book designer and the director of the Amicus bibliophil publisher. This booklet shows his Art Deco and modernist woodcut..... More

Amsterdam: Uitgeverij Contact, [December 1947]. First edition, second impression. In original cardboard, printed in orange. With the scarce, illustrated dust jacket. ix [1] 252 [2] p., (1) photographic frontispiece and (2) photographic plates. First edition second impression of The Diary of Anne Frank. “One voice speaks for six million..... More

Chelm: Zenon Wasniewski (Kultura), 1935. With an inset linocut. First edition. In publisher’s printed wrappers. 81–100 p. and. Polish review of modern poetry with an inset expressionist linocut by Zenon Waśniewski. Contains Slavic literary works, among them a translation of Alexander Blok’s poem, this issue also has a French..... More

Mainz, London, New York, Paris, Tokyo: Schott, [after] 1986. First edition. Limited, one of 100 numbered and signed copies, of the 700 total edition. In publisher’s hard paper wrappers. (156) p. One of the one hundred signed copies of the facsimile edition of Ligeti’s Concerto for Piano and Orchestra... More

Budapest: Szépirodalmi Könyvkiadó, [1988]. First edition. Presentation copy, inscribed by the author. In publisher’s hard paper with the original, printed dust jacket. 313, (3) p. Inscribed first edition of Péter Nádas’ collection of short stories. First edition of a collection of six short stories by Péter Nádas (b..... More

Buenos Aires: [S.n.], 1941. First edition. In publisher’s illustrated wrappers, designed by Moshe Feigenblum. 167 [1] p. Moshe Feigenblum’s avant-garde cover; a scarce book by Shmuel Rozhanski, the Warsaw-born, Argentinian Yiddish writer. More

Budapest: Genius (Biró Miklós), (1928). First edition. In publisher’s modernist wrappers, printed in red and black. 64 p. First and only book by the Hungarian avant-garde poet, József Tass. More