Budapest: Cserephalvi, 1947. First edition. In original paper. 5 p. One of this first work by Ligeti. György Ligeti (1923–2006) was a Hungarian (Transylvanian) born composer. Studied at the Music Academy of Cluj and Budapest. After his graduation he started to collect folk music in Romania and taught composing and..... More
Frankfurt: itolff-C. F. Peters, 1969. In origianl paper. 48 p. More
München: Schott, Kunst publik, 1991. One of 150 copy. In original portfolio. 6. signed and numbered Facsimile music autographs by Ligeti and 1 signed and number etching Böttger. György Ligeti (1923–2006) was a Hungarian (Transylvanian) born composer. Studied at the Music Academy of Cluj and Budapest. After his graduation he..... More
Germany: WERGO (WER 60059), 1971. Association copy, inscribed by Ligeti to Carl Dahlhaus. First edition. Vinyl, LP. Published in the series of “Studio Reihe Neuer Musik”. With the original cover, designed by Günther Stiller. Ligeti’s vinyl inscribed to Carl Dahlhaus (1828–1989) the German musicologist and his wife Anne-Marie... More
Budapest: Zeneműkiadó Vállalat, 1956. Only edition. Printed in only 2100 copies. Tanning due to ageing. In original paper. In two volumes. 61, (3); 78, (2) p. Ligeti’s theoretical writings are important to understand his thoughts about composition, and also to interpret his pieces. As in the 1950s he was not..... More
Budapest: Zeneműkiadó Vállalat, 1954. First edition of Ligeti’s first book. In original paper. 97, (3) p. Ligeti’s theoretical writings are important to understand his thoughts about composition, and also to interpret his pieces. As in the 1950s he was not allowed to publish any theoretical books, this work is rather..... More
Mainz, London, New York, Paris, Tokyo: Schott, [after] 1986. First edition. Limited, one of 100 numbered and signed copies, of the 700 total edition. In publisher’s hard paper wrappers. (156) p. One of the one hundred signed copies of the facsimile edition of Ligeti’s Concerto for Piano and Orchestra... More
Mainz: B. Schott's Schöne, 1967. Ed. 6303. First edition. In original soft cover. 40 p. Ligeti finished to compose his Requiem in 1965 and planned to write an additional part, that resulted in the piece Lux Aeterna in 1966. This composition is Ligeti’s most sophisticated micropoliphonic work. Lontano is Lux..... More
Frankfurt, London, New York: Henry Litolff’s Verlag, C. F. Peters. (1965). VN 30285. Edition Peter’s Nr. 4841. First edition. Study score. In original paper. (2), 49, [1] p., (4) p. supplement. Ligeti was already interested in the text of the Requiem especially in Dies Irae when he got the commission..... More
Original, vintage, black and white photograph. Signed by Ligeti in blue marker pen. 275 × 175 mm. Mid-1990s, probably on a lecture Ligeti gave. With an unidentified person in the background. More
Mainz: B. Schott’s Söhne, 1970. First edition. Printed in 200 numbered copies, this is unnumbered. Text in German and English. Text with illustrations and reproduction of Ligeti’s original notes and special scores for “Artikulation” on pp. 5–35. Wehinger’s aural score is printed on different paper in colour on pp. 37–55..... More
Mainz: B. Schott's Söhne, 1970. First edition. Association copy, inscribed by Ligeti to Carl Dahlhaus, signed and dated in Berlin, 1973. Printed in 200 numbered copies, this copy has Dahlhaus' name written in Ligeti’s hand instead of number. Text in German and English. Text with illustrations and reproduction of Ligeti’s..... More