Tartu: Noor-Eesti (K. Mattiesen), 1928. First edition. In original illustrated paper, designed by Märt Laarman. 667, (5) p. Märt (Martin) Laarman (1896–1979) was an Estonian graphic artist and painter. Member of the Estonian Artist Group founded by Jaan Vahtra. He made his early works in Expressionst style later he turned..... More

Budapest: Pantheon (Hungária), (1930). First edition. In original illustrated paper, designed by Róbert Berény. 348, (4) p. More

Bucaresti: Colectia Orizont, [1946]. Illustrated with six full-page linocuts. First edition. Limited, numbered (1/290). Stamp on the first leaf (Servicu de presa). In publisher’s typographical wrappers, printed in red and black. Six striking linocuts by the Romanian expressionist artist, a survivor of the Holocaust, Aurel Marculescu (1900–1947). Each image is..... More

Warszawa: Bibljoteka Dramatyczna “Drogi” (Nr. 2.), 1932. First Polish edition. Translated by Hanna Mirecka. In publisher’s green wrappers, with yellow title vignette. Design attributed to Wladyslaw Daszewski. 29, (3) p. First and only Polish edition of Marinetti’s 1925 drama, the Prigionieri (Prisoners). Filippo Tommaso Marinetti (1876–1944) was an..... More

Budapest: Napkelet (Magyar Földrajzi Intézet), (1931). With hand coloured lithographs on each pages. First edition. Limited, numbered edition up to 50. Printed on hand made paper. Leaves bound together with green string. Signed by Jaschik. 31, (1) p. Álmos Jaschik (1885–1950) was a graphic artist, scenic designer and pioneer of..... More

[Wiesbaden]: Giedra, 1947. Cover design and 11 full-page illustrations by Vytautas Leonas Adamkevicius. First edition. Mimeographed typescript. Saddle-stitched, in publisher’s illustrated wrappers. 62, (2) p. The first book of the Lithuanian American filmmaker, poet and Fluxus artist, "the godfather of American avant-garde cinema", Jonas Mekas (1922–2019), written together with his brother, Adolfas..... More

Budapest: Pantheon, (1929). Cover and woodcut illustrations by László Reiter. First Hungarian edition. In publisher’s wrappers, printed in red and black. 106, (2) p. First Hungarian edition of the Millikan’s book the “Evolution in Science and Religion”. He won the Nobel prize for Physics in 1923 for his measurement of..... More

[Warsaw]: Klub Futurystów “Katarynka, 1921. First edition. In original typographical wrappers. [16] p. Scarce Polish futurist book with striking typography. Stanisław Młodożniec’s (1895–1959) first book. Młodożniec was a Polish poet, and co-founder of the Polish futurist movement and the futurist club Katarynka in 1919, with Tytus Czyżewski and Bruno..... More

Budapest: Biró Miklós (Amicus), 1928. With 4 illustrations. The cover, the typography and illustrations designed by László Reiter. Cover printed in red and black ink. First edition. Limited, one of 729 copies (of 1000 total edition). Numbered in red pencil. In publisher's illustrated paper. (6), 60, (4) p. Illustrated book..... More

[Budapest]: [1917]. On military-issue postcard. Titled in black pencil. Ca. 90 × 140 mm. László Moholy-Nagy’s (1895–1946) pencil drawing on the verso of an unused military-issue postcard, depicting a lady in a large hat, sitting at a café-table with two glasses, one of her elbows placed on the table, her..... More

(Budapest): “Építőművészek és mesterek” kiadása (Antiqua Nyomdai és Irodalmi Rt.), 1943. With several photographic reproduction. First edition. In original, photographically illustrated paper, printed in orange and black. (48) p. Richly illustrated brochure on modernist architecture. József Molnár (1902–1983) was a Hungarian modernist architect, co-founder of "Congrès internationaux d'architecture moderne"..... More

Cover designed by József Rippl-Rónai. First edition. In original illustrated wrappers. József Rippl-Rónai (1861–1927) was a Hungarian painter, member of “Les Nabis”. Strongly influenced by Maurice Denis, close friend of James Pitcairn-Knowles with who he worked together on the illustrations of George Rodenbach’s “Les Vierges” and “Les Tombeaux”. More

Zürich: 1919. Handbill program. On the verso advertisements for the Dada 4–5, and a monthly edited publication by Walter Serner “Das Hirngeschwür”, and also earlier publications of the movement the “Collection Dada”. 1 leaf, 2 printed pages. 280 × 200 mm. Handbill with the program of the 8th Dada Soirée..... More