Budapest: Tolnai-nyomda, 1935. Title page designed by József Pécsi. First edition. (4) p. József Pécsi’s design for an advertisement of a Hungarian publisher. Created in Pécsi’s characteristic style, a striking avant-garde design using the mixture of modern photography and typography in a montage style image, printed in two..... More

Lwów: Nakladem Towarzystwa Wydawnicz. “Ateneum”, 1925. Illustrated with three drawings by Fernand Léger. First edition. In publisher’s wrappers, printed in red. 67, (5) p. Tadeusz Peiper’s thoughts about modern, avant-garde poetry, illustrated with Fernand Léger’s drawings. Peiper (1891–1969) was a Polish poet and art critic and the founder and..... More

New York: I. Rice Pereira, 1957. Illustrated with two series of plates, each numbered one through five and six additional illustrations. First edition. Presentation copy, with author's inscription: “This Roman numeral I is for Priscilla […]”. Title page printed on uncut handmade wove paper. Large folio, in publisher’s wrappers, lettered..... More

Kaunas: S. Joselevicius Spaustuve, 1928. Cover illustrated by Bernardas Bucas. Illustrated with reproductions of photographic portraits. First edition. In publisher’s, illustrated wrappers. 99, (1) p. A book of Juozas Petrolius (1904–1975), Lithuanian ethnographer, archeologist and restorer who helped to save a number of interned Jewish families. In 1980 Petroulis was... More

Berlin-Wilmersdorf: Die Aktion, 1922. With Frans Masereel’s woodcut on title. First edition. (3 pages), 551–576 columns. Title illustration by Frans Masereel on Franz Pfemfert’s revolutionary, expressionist, leftist literary and political magazine, Die Aktion. More

48 original, vintage, black and white photographs. Image size: 55 × 40 mm. In original red cloth. 12 album card leaves. Unique photographic documentation of the 1919 May Day celebration in Budapest. Showing the parades, demonstrations, propaganda posters, buildings and statues that arose in the 1919 Hungarian Soviet Republic, a.... More

[S. l.]: [S.n], 1973. Original, vintage poster. Printed in black-and-white. Signed in the upper left in pen. With three photographic reproductions. 205 × 289 mm. Signed poster by the Hungarian artist, Sándor Pinczehelyi (b. 1946). The poster shows three black-and-white photographic reproductions of the documentation of Pinczehelyi’s... More

Krakow, Poznan, Warszawa, Lwow: [Swiatowid], August 3, 1929. Cover and a double-page photomontage by Kazimierz Podsadecki. Illustrated throughout with brown-and-white photographic reproductions. First edition. Text in Polish. 24 p. Kazimierz Podsadecki’s striking photomontages in the 1929 issue of the Polish weekly magazine, Swiatowid. Kazimierz Podsadecki (1904–1970) was a.... More

Berlin: Ernst Rowohlt (Haag-Drugulin, Leipzig), 1930. First edition (1.–5. Tausend). In publisher’s orange cloth. With original photographic dust jacket, designed by György Kepes. 356, (4) p. First edition of Polgar’s novel with the original photographic dust jacket, designed by the Hungarian-American Bauhausler, György Kepes, associate of László Moholy-Nagy, teacher at..... More

Paris (Békéscsaba): Maxime Ferenczi (Tevan), 1914. 4 original woodcuts by Ernst Kempter (2) and Aloys Ludwig Wach (2). First edition. In original illustrated soft cover. 24 p. Prose poems, the first book of Raith, an important figure in the Hungarian Avant-garde, who made the earliest translations of Apollinaire (published in... More

Budapest: Tivadar Raith (Europa Irodalmi és Nyomdai R.-T.), 1925. Linocut on cover by Jenő Gábor. With a photographic reproduction of János Mattis-Teutsch’s painting. First edition. In publisher’s illustrated wrappers. 125–140 p. Magyar Írás was a Hungarian avant-garde, leftist review of art, edited by Tivadar Raith between 1921 and 1927... ... More

Tartu: Noor-Eesti (J. Mällo), 1929. First edition. In original illustrated hard paper, designed by Peet Aren. 151, (1) p. Cover by Peet Aren (1889–1970) Estonian graphic artist. Aren studied art in St. Petersburg, Vienna and Munich, member of the “Tartu School”. In his early works he expressed national romantic and..... More

Berlin: Hermann Reckendorf, 1929. First edition. Presentation copy to Erwin and Maria Piscator. In original cloth, with the original photographically illustrated dust cover. 125, (3) p. Inscribed to Erwin Piscator the German Avant-garde theater director and his wife Maria-Ley Piscator the dancer and modernist choreographer. Richter's influential study on... More