Párizs [Paris]: Magyar Műhely, 1974. First edition. In publisher’s wrappers, with original, photographic dust jacket. 111, (1) p. First edition of Erdély first and only book that was published in his lifetime. Miklós Erdély (1928–1986) was a Hungarian avant-garde artist, writer, poet, filmmaker and architect. The.....
[S.l.]: [n.p], 1973. Original silkscreen. Printed in blue. Signed in the lower right in pencil. Numbered, one of 10 copies. 215 × 285 mm. Original, vintage silkscreen by the Hungarian artist, Istvan B. Geller (1946–2018). Gellér was an outstanding artist of the Neo-Avant-garde scene in Hungary. He was...
Szolnok: V.F.M.K., 1978. Original, vintage poster. Original, vintage poster. Printed in black-and-white. 206 × 296 mm. Vintage poster of the 1978 exhibition of the Hungarian Neo-Avant-garde graphic artist, Árpád fenyvesi Tóth (1950–2014), the most renowned personality of the mail-art movement in Hungary.
[S. l.]: [S.n], 1973. Original, vintage poster. Printed in black-and-white. Signed in the upper left in pen. With three photographic reproductions. 205 × 289 mm. Signed poster by the Hungarian artist, Sándor Pinczehelyi (b. 1946). The poster shows three black-and-white photographic reproductions of the documentation of Pinczehelyi’s...
[S. l.]: [S.n], 1973. Original, vintage poster. rinted in black-and-white. Signed in the upper right in pen. With four photographic reproductions. 205 × 289 mm. Signed poster by the Hungarian Neo-Avant-Garde artist, Károly Kismányoky (1943–2018). The poster shows four black-and-white photographic reproductions of the documentation of Kismányoky’s.....
[S. l.]: [S.n], 1973. Original, vintage poster. Printed in black-and-white. 205 × 289 mm. Signed poster by the Hungarian Neo-Avant-Garde artist, Károly Halász (1946–2016). The poster shows the black-and-white photographic reproduction of the documentation of Halász’s 1973 performance, “Museum”. His performance took place at a gathering of.....
[Warsaw]: [Tarbut], [1922]. Original book dummy. Designed and illustrated by Uriel Kahana. Cover design attributed to El Lissitzky. Illustrations and text-bands (the earlier typewritten ones overlaid by print-proofs) are mounted on the pages. With corrections, notes and other signs in black and red pencil. Together with two red-and-black proofs of...
Moscow: Bсероссийский Пролеткульт (All-Russian Proletkult), 1923. First edition. In publisher’s modernist, typographical wrappers. 69, (3) p. First edition of Tarabukin’s theoretical work on avant-garde and modern art. The Fundamentals of a Theory of Painting was written in 1916, by the influential Russian-Soviet art historian Nikolai Tarabukin (1889–1956) and...
Warszawa: Antoni Borman, Mieczysław Grydzewski, 1938. First edition. In publisher’s illustrated wrappers. Cover design by Jadwiga Hładki-Wajwódowa. 2), (131)-192 p. Issue 96-98 of the Polish literary magazine, Skamander, including Bruno Schulz’s essay on Witold Gombrowicz’s 1937 novel, Ferdydurke. Bruno Schulz (1892–1942) was a Polish-Jewish writer, literary.....
Újvidék [Novi Sad, Yugoslavia]: Symposion (Forum Lap- és Könyvkiadó és Nyomdaipari Munkaszervezet, 1978. First edition. In original, photographic cover. Illustrated throughout by the author. The illustrations are printed in silver on black paper. 107, (5) p. First edition of Ladik’s illustrated book of poems. Katalin Ladik (b. 1942).....
[S.l]: [S.n], 1970. First edition. In publisher’s photographically illustrated wrappers, printed in black and red. 24 [among them 8 folded double-pages]) p., and 2 coloured plates. Catalogue of the artists of the 1968 and 1969 “Iparterv” exhibitions. Both shows were organized by Péter Sinkovits, to gather the avant-garde artist and.....
Paris: [Printed by:] Watelet-Arbelot, 1939. Original, vintage poster with a mounted lithographic print after Pablo Picasso. Text in French. Poster printed in black on yellow paper, lithograph printed in color. Poster size: ca. 1000 × 618 mm. Image size: 585 × 495 mm. Original, vintage poster of the 1939 Ballets...
Antwerpen: Uitgave van het Sienjaal, 1921. Illustrated with five woodcut images (including the title page vignette) and two red and black facsimiles, several decorative section titles, and decorative typographical devices in the text. Cover and illustrations by Oskar Jespers. First edition. One of the 500 copies, printed on Vélin Registre...
Krakow, Poznan, Warszawa, Lwow: [Swiatowid], August 3, 1929. Cover and a double-page photomontage by Kazimierz Podsadecki. Illustrated throughout with brown-and-white photographic reproductions. First edition. Text in Polish. 24 p. Kazimierz Podsadecki’s striking photomontages in the 1929 issue of the Polish weekly magazine, Swiatowid. Kazimierz Podsadecki (1904–1970) was a....
Berlin: Neuer Deutscher Verlag, [1929]. Cover design and layout by John Heartfield. With nearly two-hundred black-and-white photographic reproductions, including many photomontages. First edition. With Tadeusz Borowski’s ownership stamp on the front pastedown. In original yellow cloth, illustrated by Heartfield’s photomontage, printed in red, white and black. (8), 9–231, (5) p......
Budapest: Tolnai Nyomdai Müintézet és Kiadóvállalat R.-T. Kiadása, [1929]. First Hungarian edition. In two volumes. In original, illustrated green wrappers, printed in red and black. (5), 6–127, (1); (5), 6–127, (1) p. Scarce, first Hungarian edition of the German screenwriter, Thea von Harbou’s novel on which Fritz Lang’s 1927 iconic.....
Stara Rise na Morava: Dobre Dilo, 1929. With several text illustrations, one full-page, and five illustrated plates by various artists, including Karl Schmidt-Rottluff. First edition. In publisher’s illustrated grey folder, printed in red. Complete. Page size: 118 × 155 mm. Scarce portfolio of collected short stories and poems, with five...
[Wien]: [Verlag Julius Fischer (Gesellschaft für Graphische Industrie)], [1922]. 29 lithographic reproductions of handwritten sheets with drawings by László Boris. Boris’ original watercolour design for the cover bound into. First Hungarian edition. Limited, numbered (1/50/600), signed copy. In publisher’s half leather with gilt title on the spine and black ribbons.....
Tartu: Odamees (Bergmann), 1919. First edition. In original illustrated paper, designed by Ado Vabbe. 102, (1), [1] p. Ado Vabbe (1892–1961) was one of the most important and influential figures of the Estonian Avant-garde, founder of the Estonian art society “Pallas” and tutor at “Korgem Kunstikool Pallas” (Higher Art School...
Tallinn: Eesti Opetajate Liidu, 1927. First edition. In illustrated paper. With several woodcut illustration throughout. 55, (1) p. Märt (Martin) Laarman (1896–1979) Estonian graphic artist and painter. Member of the Estonian Artist Group founded by Jaan Vahtra. He made his early works in Expressionist style later he turned to Constructivism...
Tallinn: Eesti Vaimse Kultuuri Paevade Peakomitee (Uhistrukikoda), 1934. In original illustrated paper, designed by Peet Aren. 97, (5) p. Peet Aren (1889–1970) Estonian graphic artist. Aren studied art in St. Petersburg, Vienna and Munich, member of the “Tartu School”. In his early works he expressed national romantic and style of...
Tartu: Loodus (H. Laakmann), 1928. First edition. In original, illustrated hard paper. 75, [2] p. Henrik Visnapuu (1890–1951) was one of the most important Estonian poet and writer of the 20th century.
Tartu: Loodus (H. Laakmann), 1926. First edition. In original illustrated cover by Peet Aren. 147, (1) p. Cover and illustrations by Peet Aren (1889–1970) Estonian graphic artist. Aren studied art in St. Petersburg, Vienna and Munich, member of the “Tartu School”. In his early works he expressed national romantic and...
Tallinn: Katlasepe (J. Zimmermann), (1923). In illustrated cover by Peet Aren. 32 p. Cover by Peet Aren (1889–1970) Estonian graphic artist. Aren studied art in St. Petersburg, Vienna and Munich, member of the “Tartu School”. In his early works he expressed national romantic and style of the “Mir Iskusstva”, later.....
Tartu: Odamehe [Odamees] (Bergmann), 1919. First edition. In original, illustrated wrappers, designed by Ado Vabbe. (8), 7–160, (1), [1] p. Ado Vabbe (1892–1961) was one of the most important and influential figures of the Estonian Avant-garde, founder of the Estonian art society “Pallas” and tutor at “Korgem Kunstikool Pallas” (Higher...
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