Budapest: 1939- 1942. A munkaadói részben (piros ceruzával) "Nem igazolta magát. 939 X/14"-bejegyzéssel. 2 lev. Hozzá tartozik: SZERB Antal iratainak másolatai, összesen: 19 db., ebből aláírt 18. 1.: Keresztlevél. 1174/1908 sz. (Bp., 1908. máj. 1. lev.; kiadási dátum nélkül). Szerb Antal szüleinek házassági anyakönyvi kivonata.Bp., szfőv. város. 300. sz. (kiadva..... More

Milan: Direction du Mouvement Futuriste, 1913. Designed by Filippo Tommaso Marinetti. First edition. Original, vintage flyer. Apollinaire’s possessor’s stamp on the first page. Bifolio. 230 × 290 mm. Apollinaire’s copy of his famous manifesto, L’Antitradition Futuriste. In the 14th Futurist manifesto, dated to June 29, 1913, Apollinaire urges a...... More

Budapest: Parnasszus, 1947. First edition. Limited, numbered, one of the 100 copies printed on Japan paper. In publisher’s wrappers. 35, (1) p. Limited, numbered edition of a collection of Aragon’s poems, and with a detail of his wife Elsa Triolet’s novel. The present collection was published on the..... More

Budapest: A “Tér és Forma” kiadása, 1941. Photo-illustrated title page. Illustrated throughout. First edition. In publisher’s printed wrappers. (3), 2–24, (2) p. Photo-illustrated monograph presenting the reconstruction of the headquarters of National Savings Bank, that turned the Art-Nouveau building into a modern office building of international style. The..... More

Sevilla: Andrea Pescioni, 1582. First edition. With 35 woodcut illustrations, some recurring. Decorated with heraldic woodcut on the title page, numerous woodcut initials and a tailpiece, and woodcut printer's devices on 4¶4 and on the last leaf. Text printed in two columns. In 19th century, empire style, red morocco binding..... More

Prague: With the photographer’s, Vladimír Tůma’s stamp on verso. 1965. Signed in pen by Armstrong at lower right edge. 189 × 132 mm. Signed picture, showing Louis Armstong on the stage, waving goodbye to the audience, his suit jacket in his hand, and his bow tie loose. Taken..... More

1943. 8 reproduction of Vajda works in the text. In original wrappers. 14 p. Inscribed to Andre Breton by Endre Balint. Endre Balint was one of the most important Hungarian painter of the 20. century and very good friend of Vajda the iconic Hungarian artist. More

Au Cap François: Chez Marie, Imprimeur-Libraire bréveté du Roi pour l’Isle S. Domingue, à l’execution de tous autres [Antoine Marie], M. DCC. LXIV [1764]. First edition. Woodcut and typographical printer's ornament on the title page. With a typographical headpiece and initial. In publisher’s blank paper, bound by sewing. (2), 90..... More

Venezia: Giuseppe Antonelli, 1833. First edition. Published unbound. 15, (1) p. and 14 plates with charts. In this very early broshure Generali introduces its services and the conditions of life assurance. Gererali has been established somewhat more than a year before the date of this publication on December..... More

[S.l.]: [S.n.], [n.d. but 1709]. First edition. In contemporary leather. Gilt spine with red title label. Edges of the panels gilt. Marbled endpapers. Tinted edges. (12), 308 p. Scarce publication related to the endgame of the Chinese Rites Controversy. Antoine Thomas (adopted the Chinese name of Ngan To..... More

Paris: Auguste Klein, [Ca. 1867]. Original, vintage photographs. Albumen silver print mounted on cardboard. Reproduction by André-Adolphe-Eugène Disdéri. Image dimensions: 55 x 88 mm; cardboard dimensions: 63 x 105 mm. Two rare, original, vintage carte de visite photographs about Maximilian I of Mexico’s vest and coat after his execution in..... More

Wien: In commission bei Carl Gerold’s Sohn, 1896. First edition. Presentation copy, inscribed on a front cover. Text in English. In publisher’s printed wrappers. 32 p. Inscribed copy of the first edition of Stein’s report on the recently discovered travelogue of the Chinese pilgrim Ou-k’ong (Wukong; ca. 730–790), focusing on..... More

Estampades en Valencia: en casa de Joan Mey, Venen se en casa de Sanahuja Librer [Juan Mey], any. M. D. Lxvi, [1566]. First edition. Woodcut initials. In modern vellum, title lettered in ink on the spine. ff. [16]. Collation: a–b8. “The first catechismal work directed expressly at the instruction of..... More