Lips and Tonge (Rolling Stones logo)
1975. Vintage photo Stamp Stamp "Pop Hebdo" 24x 16 cm. More
1975. Vintage photo Stamp Stamp "Pop Hebdo" 24x 16 cm. More
Frankfurt: itolff-C. F. Peters, 1969. In origianl paper. 48 p. More
München: Schott, Kunst publik, 1991. One of 150 copy. In original portfolio. 6. signed and numbered Facsimile music autographs by Ligeti and 1 signed and number etching Böttger. György Ligeti (1923–2006) was a Hungarian (Transylvanian) born composer. Studied at the Music Academy of Cluj and Budapest. After his graduation he..... More
Budapest: Editio Musica, 1973. In original paper. 51 p. Printed in 40 copies for the 1973 Paris Tribune Internationale de Compositueurs. More
London: Printed and Sold for the Author, by Preston. 97. Strand, & to had of all the Music Sellers in the United Kingdom. [N.d. but 1803 or 1804. First edition. Engraved sheet music. Association copy: “From Mr Joseph Corfe to Jos.h Gear. Salisbury 1805.” presumably in Joseph Gear’s hand on..... More
[France?]: [Around 1800]. Manuscript score. Unbound. Oblong. N. [24] p. An early manuscript copy of the string quartet for Haydn’s Keyboard Concerto in G major. Haydn composed this keyboard concerto during his time at the Esterházy court, probably around 1770. It was premiered on 28th April 1784 in Paris..... More
Vienna: Presso Artaria Comp. (1799). First edition. Engraved plates. Title page bears plate numbers 185 and 186. Plate number throughout: 185. Papered spine. (2), 7, (1) p. A rare first edition of Haydn’s Arietta con 12 variazioni, which was written in 1768, in the key of E flat major. It..... More
München: Gedruckt bey Franz Seraph Hübschmann, 1802. Bond together by a blue paper band, as published. 31, (1) p. A very early edition of the libretto of Haydn’s oratorio Die Jahreszeiten (The Seasons) which was premiered in Vienna in 1801. The libretto was prepared by Baron Gottfried van Swieten..... More
[Budapest]: [MKKE sokszorosító üzem], [1981]. First edition. Mimeographed, illustrated pamphlet. 8 p. Illustrated concert program of the first reunion concert of the Illés-band. Illés-band was the most popular Hungarian beat band, founded in 1960 and was active until 1973. This 1981 live show was their first reunion concert, accompanied..... More
December, 1976. First edition of the first number (all published). Black and white xeroxed fanzine, printed only on versos. 29 × 20,5 cm. Scarce punk fanzine named after The Clash’s song “London’s Burning” from their debut album. Edited and written by John Ingham music journalist, known as one of the..... More
Wien - Leipzig: Universal Edition, 1922. In original paper. 40 p. Inscribed to Esther Ilse Hoffe by Max Brod. Brod was the translator of the work to German. Janácek probably decided in early 1919 to set Ostrowski's "Das Gewitter" to music. It is not surprising that he chose..... More
Budapest: 1939. With the photographer's handwriting on the back. 18 x 12 cm. More
Budapest: 1928. . 24 x18 cm. Vintage. More
Budapest: Zipser és König, (1919). First edition. Title printed in red. 3, (1) p. Propaganda music of the Hungarian Soviet Republic. The title “Workers Of the World, Unite!” is the famous slogan of communism, the quotation from the “Communist Manifesto”. The Red Soldier Soirée’s were the official cultural events..... More
Paris: Lormel, 1773. First edition. In very nice contemporary full leather. With 100 plates plates of Moreau, Le Barbier, Le Bouteux. 4 volume. 154, 153, 150, 150 p. 4 volumes of fully engraved text and music by Moria and Mlle. Vendome. - Published in 1773 and dedicated to Marie Antoinette..... More
[Praha (Prague)]: Svaz ceskych skladatelu, 1969–1970. First edition. Complete run. All issues illustrated with black-and-white reproductions. Saddle-stitched. 52 [4]; 52 [4]; 52 [4]; 62 [2] p. Scarce, complete set of four issues of the magazine Konfrontace, dedicated to experimental contemporary music, published by Vladimír Lébl until its ban in 1970..... More
Handwritten, signed postcard. Date from stamp: October 13, 1938, Berlin. Tiny losses to extremities, with no effect on writing. Paper yellowed due to aging. Overall in very good condition. Franz Lehár’s holograph greetings to his sister. Franz Lehár (1870–1948) was an Austro-Hungarian composer, one of the most significant composers..... More
Handwritten, signed postcard. Text in German. Date from stamp: July 22, 1934, Vienna. One stamp removed. Otherwise in fine condition. Franz Lehár’s holograph greetings to his brother-in-law. Franz Lehár (1870–1948) was an Austro-Hungarian composer, one of the most significant composers of operetta. Lehár achieved worldwide success with Die lustige..... More
Handwritten, signed postcard. Text in German. Date from stamp: March 26, 1934, Vienna. Franz Lehár’s holograph greetings to his sister. Franz Lehár (1870–1948) was an Austro-Hungarian composer, one of the most significant composers of operetta. Lehár achieved worldwide success with Die lustige Witwe (The Merry Widow). The..... More
Handwritten, signed postcard. Text in German. Address typed. Dated: December 9, 1947 (Zürich). Paper yellowed, slightly worn. Overall in very good condition. Franz Lehár’s holograph greetings to his sister. Franz Lehár (1870–1948) was an Austro-Hungarian composer, one of the most significant composers of operetta. Lehár achieved worldwide success with..... More
Germany: WERGO (WER 60059), 1971. Association copy, inscribed by Ligeti to Carl Dahlhaus. First edition. Vinyl, LP. Published in the series of “Studio Reihe Neuer Musik”. With the original cover, designed by Günther Stiller. Ligeti’s vinyl inscribed to Carl Dahlhaus (1828–1989) the German musicologist and his wife Anne-Marie... More
Budapest: Zeneműkiadó Vállalat, 1956. Only edition. Printed in only 2100 copies. Tanning due to ageing. In original paper. In two volumes. 61, (3); 78, (2) p. Ligeti’s theoretical writings are important to understand his thoughts about composition, and also to interpret his pieces. As in the 1950s he was not..... More
Budapest: Zeneműkiadó Vállalat, 1954. First edition of Ligeti’s first book. In original paper. 97, (3) p. Ligeti’s theoretical writings are important to understand his thoughts about composition, and also to interpret his pieces. As in the 1950s he was not allowed to publish any theoretical books, this work is rather..... More
Mainz, London, New York, Paris, Tokyo: Schott, [after] 1986. First edition. Limited, one of 100 numbered and signed copies, of the 700 total edition. In publisher’s hard paper wrappers. (156) p. One of the one hundred signed copies of the facsimile edition of Ligeti’s Concerto for Piano and Orchestra... More
Mainz: B. Schott's Schöne, 1967. Ed. 6303. First edition. In original soft cover. 40 p. Ligeti finished to compose his Requiem in 1965 and planned to write an additional part, that resulted in the piece Lux Aeterna in 1966. This composition is Ligeti’s most sophisticated micropoliphonic work. Lontano is Lux..... More